Royal Svo, oblong, price 4s. cloth.
MODEM ALPHABETS,
INCLUDING
GERMAN, OLD ENGLISH, SAXON, ITALIC, PERSPECTIVE, GREEK, HEBREW,
COURT HAND, ENGROSSING,
Tuscan, Iftfoantr, ffiotlw, Busttc, anti Arabesque;
With several Original Designs, and
AN ANALYSIS OP THE ROMAN AND OLD ENGLISH ALPHABETS,
LARGE, SMALL, AND NUMERALS.
For Ihe ee of Draughtsmen, Surveyors, Masons, Decorative Painters, Lithographers,
Engravers, Carvers, &c.
COLLECTED AND ENGRAVED BY
F. DELAMOTTE.
C. L0CKW00D ft CO.
7, STATIONERS' HALL
COURT,
PRIMER OF ILLUMINATION
FOR THE USE OF BEGINNERS,
WITH A RUDIMENTARY TREATISE ON THE ART, PRACTICAL DIRECTIONS
FOR ITS EXERCISE, AND
CHOICE EXAMPLES
FROM
MISSALS AHG GTHEB ILLUMINATED MSS.
BY F. DELAMOTTE.
PKOIMTPS® OM @©y§> AKI® (g®L@yR§0
" The volume, very beautifully got up, is as ornamental as it is useful, and we can
heartily recommend it to the notice of those who wish to become
^\ proficient in the Art."— English Churchman.
C. L0CKW000 * CO.
&7, STATIONERS' HALL
COURT,
LONDON!
i a.
I
1
c
THE
FIE@M TIE
WITH NUMERALS.
INCLUDING
(Sotjjit; (SImrtJj ifet, J arge an> Small; (Soman ^rafasqne; Initials for Illumination,
MONOGRAMS, CROSSES, &c-
FOR THE USE OF
ARCHITECTURAL AND ENGINEERING DRAUGHTSMEN, MASONS, DECORATIVE PAINTERS, LITHOGRAPHERS, ENGRAVERS, CARVERS, kc< Jbc
COLLECTED AND ENGRAVED BY F. DELAMOTTE.
FIFTH
EDITION-
LONDON : LOCKWOOD AND CO., 7, STATIONERS' HALL COURT.
1863.
PREFACE TO THE FOURTH EDITION.
P S there are no works of Ancient Alphabets of any excellence published in
I || a cheap form, I have been induced, after many years' study and research in
my profession as a Draughtsman and Engraver, to offer this collection to
/(| the favourable notice of the public, trusting that its very moderate price
and general usefulness will be a sufficient apology for the undertaking.
The demand for a Fourth Edition within so short a period of the
publication of the Third, has convinced me in the most agreeable manner
that it has been a work required by the public. To render it still more,
worthy of their attention, I have here introduced some additions, likely to
enhance the interest and increase the value of the pages, as an indication of
the esteem which I have held the encouragement, and the respect I have
paid to the suggestions of the purchasers of this book, and the critics by whom it lias beec
so liberally reviewed.
Digitized by the Internet Archive
in 2014
https://archive.org/details/bookofornamentalOOdela
INDEX
-&<#»€>-
V
8th Century. Vatican
8th Century. British Museum
8th and 9tu Centuries. Anglo-Saxon . . . •
9th Century. From an Anglo-Saxon Mb. .Bat-
tel Abbey
From MS. Library of Minerva, Eome
IOtii Century. British Museum
11th Century and Numerals . .
12th Century. From the Mazarin Bible . . .
12th Century. Two small. British Museum . .
12th Century. British Museum
12rn Century. Bodleian Library
13th Century. Henry III. Westminster Abbey.
13th Century. From Latin MS
13th Century. MS
11th Century. Date about 1340
14th Century. British Museum
14th Century. Illuminated MS
14 th Century. Hichard II. 1400. Westminster
Abbey
14tu Century. Richard II. 1400. Small. West-
minster Abbey
Utii Century. British Museum
IItii Century. From MS. Munich
14th and 15th Centuries. Two Small. British
Museum
1475. British Museum
1480. British Museum
] 490. British Museum •
Henry VII. Westminster Abbey
AGE
1
9
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
PAGE
15th and 16th Centuries. German 27
15th and 16th Centuries. German. Small . . 28
15th and 16th Centuries. Ornamental Ribbon . 29
16th Century. Henry VIII. MS 30
16th Century. From Italian MS 31
16th Century. From Albert Durer's Prayer
Book. Large 32
16th Century. Albert Durer's Prayer Book . 33
Vatican 34
Gothic. MS 35
Gothic 36
Gothic. MS 37
Large, Small, and Numerals.
MS 38
16th Century.
16th Century.
16th Century.
16th Cektury.
16th Century.
French.
17th Century. MS 39
17th Century Church Text. MS 40
German Arabesque 44
German Arabesque. Small 42
Metal Ornamental 43
Initials 44
Initials 4->
15th Century 4.6
Initials 4/
Numerals 48
Numerals 49
16th Century 50
16th Century 51
16tu Century. From Wood Engravings .... 52
Monograms, Crosses, &c 53
( 1 )
8t(j Cwtam. f atican.
( 5 )
jf roiit US. Jibrwj of Utintria, $onu.
lOtlj Ctntarn. j|ritis| SPfostm.
ABEGOepEgfel
KLMNNOFQRST
WXYZ.fEQD
( 7 )
Utjj Cntturg anb ftnmtrals.
( 8 )
( 9 )
X2\\ €t\\kq. Dritisj; Jttuseum.
( io )
V t
I 11 )
\2\\ Century. fMtxm fikarn.
( 12 )
t3tl) Cento. |jcnr]] f|e ^jjirb. SHcsfininsftr Jbbcij.
( 13 )
( 14 )
I3tlj flunturg. Ht.jS.
( 16 )
t^tjj tfenterj. %n\\fy gfostum.
( 17 )
Wb tfmtnrj. $Ilumiitairi> gtS.
( 18 )
\\\\ Ccnturjr. $it|jarb ftc Stronfc UOO. Pledininsfcr |I)Imt.
( 19 )
X\\\ Ctnturg. $Ut|art> % Bttwh. VfiO. Small. 88tstminsfer %hbt$.
( 20 )
\\\\ Ctntarn. gritrs|j gtnscnm.
( 22 )
Ufo anli I5tji Ctntnrits. ftan Small. Ǥritis|) glustura.
41
/i
rsib c Ci ef Qh\ kl m nopqr
im. $ritisft Bison.
( 24 )
1^80. ^rilisjj Uluscum.
( 25 )
( 26 )
f)ntrj) % Srimttjj. SHestorinsftr %hhq.
) ( 28 )
t5ijj ani I6tb Centuries. (German. Small.
a a6 rb e ffl 5y &Cthu o p qr
> 5tUDlPJl/2
( 29 )
15tjj iinb WW) Ctntams. ©rnammtal 3Riban&.
I0tb Centum.
0 "»
( 30 )
$ cnnr tjjc <gigjjt|[. $15.
■V
( 31 )
I0t| Century Jfrom Italian gtS.
( 32 )
i0t| Centnrn. %\kxi gum's ^prajitr gook. f ar§c.
( 34 )
16t|j Cmturjr. Jfa&an.
( 37 )
IGtjj Cttttnrg. (Sotjjic. |J1S.
I —
( 38 )
10tjj Ctnlurs. J arge, Small, anb Numerals. Jfrtnrjj.
muonqrsCumii
( 39 )
ITtlj Ctntanj.
4
a* ♦
( 41 )
German Arabesque.
( 42 )
^
( ^ )
Petal ©rnanmttal
( 44 )
Initials.
( « )
( 46 )
1 5ft Ctntunt.
is mnoPQRSSG
no r q atf i lit m nop q r
( 47 )
00
m m
o
( 48 )
Id
0>
S<1
£=3
CO
D
I-
Z
u
O
CM
5P
>
EC
D
Z
UJ
O
CO
Ul
O
( 49 )
3— ■
o
2P
O
o
FN
00
>-
UJ
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lO
vO
If)
cc
Ui
O
00
CO
10
10
to
4^1
( 51 )
10tj) (Ccntarg,
I
( 52 )
X6t\ Ccnturjr.
( )
( 54 )
Sonograms, Crosses, fa.
['iistkd si c wniriKO. BEArroai house, stius"*
/2»
■ as I
'Will,
mil
Small 4to, price 6«. clotii, antiq
no.
MEDIEVAL ALPHABETS
AND
IHimtB FOH ILUlMiHATGHS,
BY R DELAMOTTE.
WITH AN INTRODUCTION BY J. WILLIS BROOKES.
AND
TWENTY-ONE HIGHLY FINISHED PLATES,
PRINTED IN COLD AND COLOURS.
This is unquestionably one of the most beautiful and at the same time the cheapest
selection of Examples for Students of the Art of Illumination which has
ever been published.
1 1
tar
Ttt obloug royal octavo, price 2,. 6tf boatds
THE
EMBROIDERERS'
-M.
CONTAINING
INITIALS, CYPHERS, ORNAMENTAL BORDERS,
ECCLESIASTICAL DEVICES, MOHGCBAMS,
lights P&hctad anb ©riginal,
COLLECTED AND ENGRAVED
BY F. DELAMOTTE
'V-